Impetus

by Sebastian Plano

supported by
Eden Kupermintz
Eden Kupermintz thumbnail
Eden Kupermintz Sebastian Piano manages to capture modernity itself, encompassing within its runtime feelings of disorder, disrepair, depression but also a determined kind of hope that refuses to let go of tomorrow. It is filled with warm, electronic sounds, like a digital house slowly rearranging itself under the heat and cold of a summer day/night. Recommended for lazy afternoons, long drives through the night or for when holding someone you love. Favorite track: Blue Loving Serotonin.
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about

"...a fine example of how to thread human character through classical mastery." Rock-A-Rolla

"Fans of minimalistic yet powerful melodies should not miss this!" SLAM

"Based on the evidence at hand, it would be easy to imagine seeing his name scrolling amongst the credits at the end of some future major film production." Textura

"Piano’s point of view is absolutely transcending decades and eras." Scenepointblank

"Impetus", a release as joyous as it is heart rending. Fantastic stuff and highly recommended." Futuresequence

"Constantly ebbing and flowing and intermixing all sorts of moods and styles, the eight compositions on Impetus evolve smoothly and move forward gracefully, like seamless plots. Sweet but not cheesy, melancholic but not dark, nostalgic but not sad." Igloo

"... the record is created to breathe life into classical chamber music." Pretty In Noise

credits

released September 20, 2013

Mixed and produced by Sebastian Plano
Mastering: Nils Frahm

Cover photography: Robert Moses Joyce

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about

Sebastian Plano Berlin, Germany

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